A Musical Book Signing
for Eli
My book Eli’s Heart
is in the forefront of my mind these days as I prepare to host a book signing
at the Pocono Community Theater, a local movie house which is very “local
author friendly.” The PCT is kind enough to allow me to use a very nice space
for a musical presentation along with some brief readings from the book, and
books will be available for purchase as well. Nice friends who are splendidly
talented are performing some pieces which are an important part of the story.
The event is scheduled for November 9, only about two weeks away.
Eli Levin, my protagonist, is an unlikely hero but he is
definitely a hero. Born with a life-threatening congenital heart defect, Eli is
also a piano prodigy (though he hates the word and his close friends are
careful not to use it). His entire life he struggles to live with both of these
challenges, and he does this with humor and grace, though at times the stress
overwhelms him. When he marries, his young wife is challenged to try to
understand Eli and support him however she can through the difficult times, and
rejoice with him during the good times.
Music is a vital part of their life together, and one
challenge for me was to describe the music that is particularly meaningful for
them. Krissy and Eli meet as young teens and after some years apart, they are
reunited when they are both college students. They reconnect first through
letters and long-distance phone calls (it’s the nineteen fifties; no computers
or cell phones), and finally see each other again at Christmas, just before her
nineteenth birthday.
They decide to marry, but they agree to wait a year. During
the few days they spend together, Eli plays for Krissy; some is music she had heard
him play years earlier, some pieces she is familiar with but hasn’t heard him
play. One piece in particular she loves hearing as much as he loves playing is
the Rachmaninoff Prelude in G Minor. Just before she leaves for the airport –
she has to leave to return to her college before he goes back to his – she asks
him to play it for her once more.
I wanted to give them a “moment” before they part again. The
time they spend together is either in Krissy’s home or in the home of Eli’s
sister, who lives in the town in which Krissy had grown up. So while they are
very much in love and are convinced they belong together, they haven’t yet made
love. But it was important for them to have some affirmation of the strength of
the bond they share.
Rachmaninoff is probably my favorite composer, and I love
the Prelude in G Minor as much as Krissy and Eli do. So when Eli is playing,
Krissy is close to him, and they share an experience that makes the moment
unforgettable for both of them.
Rachmaninoff’s Prelude in G Minor began with repeated thick chords and
heavy octave passages with large leaps up and down the keyboard, played
rapidly. Eli pushed the tempo slightly; he loved doing that, especially with
Rachmaninoff. The prelude had a grandeur and sweep to it, and demanded
technical facility and strength. As with much of his music, Rachmaninoff slowed
the tempo and introduced a beautiful melody, and the music became completely
different, almost ethereal.
As soon as Eli started the lyrical section something happened. He
could feel his hands on the keys, he knew Krissy was touching him, but he felt
he became a conduit for the music. It flowed through him and around him,
opening up time and space. He continued to have a sense of transcendence
through most of the section, and then the music gradually returned to the
original idea, the sense of being somewhere else left him, and he was again
sitting at Krissy’s piano playing Rachmaninoff for her.
When he finished the piece he sat quietly for a moment. When he turned
to look at Krissy, he could tell by the look of wonder on her face that she had
made the journey with him. He asked softly, “Did you feel that?” Not wanting to
speak, she nodded. They sat close together without feeling any need to talk,
knowing what they had just experienced was remarkable.
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