Thursday, May 30, 2019

Let Music Live


About two weeks ago, I learned The Guardian was looking for essays for a series entitled “How I Fell in Love With …” and on a whim, sent an email to the editor who was running the series. It was fun to write and let her know about my newfound passion, writing books—“music-centric” books, after a full, rich and happy life as a musician. Much to my amazement, she contacted me within a day or so and asked me to write the article. No deadline, roughly eight hundred words, just expand what I’d sent in my slightly breezy email.

Needless to say, I set to work immediately, and was even more amazed when a week or so later I received notice that the article would go on line on Friday, May 24. Friday Sydney time, actually. I still was having a hard time processing this, but late Thursday night (PA time) I saw the article on line. An article I wrote. In The Guardian.

I shared it all over social media, and early the next morning contacted my sons, both of whom live locally, to share my good news.

Instead, I learned of an awful tragedy. My oldest son runs his own business, providing soil treatment for playing fields, mostly golf courses, from parts of the greater New York City area into Connecticut and Long Island. One of his most valued employees, and a good friend to boot, had drowned in a freak fishing accident Thursday evening.Twenty-nine years old, sole provider for his family; two children, ages one and three. He was a very good friend of my younger son who also works for the company. My sons are heartbroken.

It’s one tragedy in the hundreds that strike people every day. The recent severe weather in the U.S. has caused many such valleys in so many lives. It’s often said, “None of us get out of here alive,” and that is a certainty, but the death of a vital young person is difficult for everyone to process. We go through our lives, aware we could be involved in such a tragedy, but certainly not anticipating it. To my mind, a good thing—we can’t live in constant fear of the bad thing that might be lurking around the next corner.

I am grateful beyond words for the music in my life. My personal motto is “Music—the most powerful force in the universe.” Music can help us grieve, can help us heal, can inspire us, can elevate us as nothing else can. After my week of peaks and valleys, I attended a high school choral concert last night and heard a wide variety of music sung by some great young people, who loved what they were doing and performed exceptionally well.

The final selection on the concert was a powerful and deeply moving choral piece by Joseph Martin, “The Awakening,” which speaks of a world without music. How silent, how sad. The final part of the song is based on the composer’s personal experience of emotional healing through his music ("Let music never die in me, forever let my spirit sing.") It ends with a burst of brilliance: “Let music live.

Music is the constant in my life, as I wish it could be in everyone’s life. It’s our connection to heaven, wherever that may be. It’s a gift from our Creator, whatever we may call him. It helps us survive the valleys and delight in the peaks. It elevates and enhances our existence. It makes life worth living.

Let Music Live.











Thursday, May 2, 2019

The Diva and the Detective


The Case of the Toxic Tenor, book three in “The Augusta McKee Mystery Series,” is now available on Amazon. The first two books, The Case of the Slain Soprano and The Case of the Disappearing Director, have some nifty reader reviews.

Readers like my protagonist:

“Professor Augusta McKee, just introduced in Susan Moore Jordan’s mystery The Case of the Slain Soprano, will take her place among the lady detectives you wish you knew in person. She’s a no-nonsense voice teacher in spike heels, tough and tender and smart as all get-out.” - Michaele
“Augusta McGee … is well-drawn for us and we are soon thoroughly intrigued by this well-dressed and extremely well-shod woman in midlife with many roles - professor of music, voice teacher, stage play director, and supportive mentor to faculty and students.” - Catherine
“McKee makes a strong protagonist and I liked her instantly as she asserts herself in defiance of the detective, who seems a bit overwhelmed by her, but later regains his composure sufficiently to woo her.” – Pocopop

About that detective, Malcolm Mitchell. I owe a lot of thanks to some remarkable people who’ve been an immense help in developing this series, first among them retired Cincinnati Police Department Detective Lieutenant Stephen Kramer, who is former president of the Greater Cincinnati Police Historical Society and former long-time director and current archivist of its Museum. When I started writing the series, set in Cincinnati in the mid-1960s, Lt. Kramer was kind of enough to respond to my request for assistance in understanding police procedural matters in that time and place. He also provided considerable insight into the mind of a homicide detective, and some of the words uttered by Malcolm are—with permission—quotes from Lt. Kramer. 

I also have to thank my intrepid editor, Ashleigh Evans, who continues to help me through tricky scenes and thorny issues as I follow this new path of writing a series, attempting to make each book fresh and new while keeping the reader engaged by my protagonists and how they deal with each new challenge. When considering the cover for the first book, Ashleigh suggested incorporating what has become the series’ brand: Augusta’s red stiletto.

It’s quite a thrill to see the talented Taylor Van Kooten’s covers as a trio. What a serendipity to find a photo of the engraving for the original design of Cincinnati’s wonderful Music Hall and learn it was in the public domain! A perfect background for a murder mystery which takes place in the building. Taylor’s artistic rendering of the gazebo in Eden Park is stunning. We’re already thinking about the cover for book number four, which is my current work in progress. 

Reader reviews are vital for an independent author, and if you’ve read and enjoyed any of my books, I’d be grateful for even a brief review on Amazon. This review for The Case of the Disappearing Director by Pocopop was definitely gratifying. With each book I attempt to hone my writing skills, and it seems I may be succeeding!

Jordan weaves an intricate plot that slowly peels back the layers, reveals her protagonist's depth and nature, while interspersing Jordan's knowledge and obvious love of opera, classical music, and performance theater. The music and the theatrical aspects add depth to the story and characters, and Jordan uses these elements expertly to help tie up the plot and bring it to a satisfying conclusion. Although Disappearing Director is part of a series, the book stands alone, with no need to read the preceding novel in order to understand this one. I felt Jordan reached new levels as a budding novelist in this story.

(In celebration of the release of third book in the series, Book One, The Case of the Slain Soprano, Kindle edition, is on sale for $0.99 until 8 a.m. May 4. Grab it while you can!)


You can find links to the books on my Amazon author page: