On the second weekend September of 2001, a community theater organization I was part of, Pocono Lively Arts, held auditions for a planned November production of Rodgers and Hammerstein’s The Sound of Music. In a chapter in my book More Fog, Please: 31 Years Directing Community and High School Musicals I wrote the following:
My son Stephen, who had been my lighting director for a
number of years, was living and working in Westchester County, New York. I had
no reason to think he might have been in Manhattan but I was not able to reach
him by phone for many hours. Hearing from him, finally, that night, was a huge
relief. I could hear the stress and anguish in his voice; New York had become
his city.
(NOTE: It was during that phone call that Steve called my
attention to the empty skies. I live below a major flyway; walking out onto my
deck, I looked upward and saw only stars.)
One cast member’s father worked in one of the Twin Towers.
His dad was late leaving for work that morning because he had to take David
Wertz’s little brother to school. When the first plane hit, if he had not been
late, he would have been at his desk instead of on the George Washington Bridge
headed into Manhattan. He was able to turn around and was home by six o’clock.
The family hadn’t heard from him all day and didn’t know where he was, or if he
was safe.
Another high school student, Meghan Lastra, had a cousin who
had just begun work at the World Trade Center; in fact, it was his first day. He
was missing during our rehearsal period. We learned he had been uneasy about
working there. His remains were finally recovered. We grieved with her family.
Many people in our community lost loved ones that dreadful day.
Stroudsburg is within commuting distance of the New York
City area; many residents work in and near the city. Children were kept
overnight at several schools in the county, thanks to the generosity and
kindness of many people who provided bedding, food, and comfort. Some parents
never returned home. It was a very sad, tense time.
PLA members wondered what we should do about the show.
Should we continue? My director’s note for this
production of The Sound of Music reflects the feelings we all
experienced:
The answer, of course, is yes. Without beauty, without music
and art, civilization would indeed be totally changed. That all of us want to
continue to create and re-create reinforces our very reason for being. Over the
past weeks, all of us involved with this production have found a renewed
appreciation for this story of love and courage. The story of Captain von Trapp
and his family seems especially timely today, and I think, particularly for the
children in the cast, our participation has given us a truly worthwhile
experience.
As always, we are very grateful to the small army of
volunteers who make this production possible – the remarkable people who work
backstage, the musicians in the orchestra, the people who usher and help with
tickets. Thanks to all of them, we can offer you an afternoon or evening of
reliving this lovely American tradition, musical theater, by two of the finest
of its creators, Richard Rodgers and Oscar Hammerstein II. Community
productions such as ours are a part of the very essence of this great country.
Many thanks to you, our loyal audience, for helping us to
celebrate America in this special way.
Susan Jordan
Thank you for sharing this story.
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