MUSIC IN WORDS
When I wrote HOW I GREW UP, I included quite a bit about the
preparation for a high school musical production of CAROUSEL. Most of that was
from the perspective of the leading character, Melanie Stewart.
Some chapters in the book included descriptions of how the
actors prepared for their roles and how the cast rehearsed. There was mention
of certain musical scenes and numbers in the show, and the challenges faced by
the young performers. Since the music I was writing about was show music,
nearly all of it contained lyrics, though I didn’t directly quote much from the
show. I described one important musical scene and two of the solos from the
show in some detail. CAROUSEL has some beautiful instrumental music. “The
Carousel Waltz” is undoubtedly one of the finest pieces Richard Rodgers ever
wrote, and I mentioned it very briefly in HOW I GREW UP.
Writing about music so the reader has some sense of its
impact is definitely challenging. I’ve challenged myself quite a bit with my
second novel, ELI’S HEART. The two principal characters are both musicians. She
is a singer; he is a pianist. Describing vocal music seems to me to be easier
for obvious reasons; the lyrics tell a good deal about the music, especially if
they’ve been handled well by the composer. All the music in ELI’S HEART is
classical music; since Eli is an accompanist, there are some pieces I describe
that include a second instrument or a singer as well.
One thing I appreciated about Anne Lamott’s wonderful book
BIRD BY BIRD was her comment that people like to talk about what they do,
especially if they love doing it, and are usually generous about talking to us
writers. I certainly found that true with ELI’S HEART. I’m very fortunate to
have good friends who are exceptional musicians and are also exceptionally
kind, and they’ve shared thoughts on some of these pieces with me that have
been immensely helpful. My musical friends were also nice enough to read
passages I’d written and make suggestions that strengthened the descriptions.
And I am very glad we have that wonderful musical go-to
place, Youtube, because it was so easy to hear new pieces that were suggested
to me, and to listen to several versions of some of the music I especially love
and had chosen to include in the book. It’s absolutely amazing how much “stuff”
there is on that site!
Music is a vital part of the lives of my two characters.
It’s an important part of who they are, and therefore it has to be an important
part of their love story. I don’t want to write a musical treatise on the
pieces I’ve chosen to write about in the book. I want the reader to get some
sense of how the performer feels when playing or singing them, or how the
listener reacts when hearing them. In one instance, Eli reacts very differently
when performing a violin sonata he’s played numerous times, because he is in an
unfamiliar and therefore stressful situation.
How much to include in one of these descriptions? How much
is enough, but not too much? I hope what I’ve included is just right!
Maybe your new novel could include an appendix where you include links to some of the music you describe, for your readers who want to know more?
ReplyDeleteActually, that's been suggested, and I think it's an excellent idea. It would be nice to think some readers would be inspired to listen to some of the music described in the book.
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