Wednesday, July 5, 2023

"A LIFETIME IS NOT ENOUGH FOR MUSIC"

The second book I wrote, Eli’s Heart, is a love story and more. Krissy Porter and Eli Levin meet as young teens when Eli, who is a piano prodigy, visits his older sister in Krissy’s town in Tennessee in the summer of 1953. They become good friends and are on the verge of romance, but their relationship is ended by Eli’s over-protective family. They find their way back to each other while college students and marry on Krissy’s twentieth birthday. 

The story continues as each of them builds a career in the music world. While Eli was born with an unusual gift for music, he also was born with a seriously damaged heart. Despite the challenge of never knowing when the various repairs on Eli’s heart might give out, Krissy and Eli enjoy a happy life. 

 Perhaps Rachmaninoff’s famous quote, “Music is enough for a lifetime, but a lifetime is not enough for music” prompted me to include in the romance the thought of reincarnation. When Krissy and Eli find their way back to each other while college undergraduates, their relationship blossoms into a deep and intense love. Krissy is convinced they are soul mates who have been together in a previous life. How else would Eli have such a remarkable ability to play piano with such technical proficiency and such depth of emotion? Why else would they both have this strong sense that they belong together?

 Learning more about the craft of writing over an additional fifteen novels prompted me to write a second edition of Eli’s Heart. There are no changes in the story, but in particular the early chapters of the book have been tightened up by removing over five thousand words and using less narration and more dialogue. Now the characters are telling more of their story. I began the process nearly six years ago, but additional books interfered. However, now I am ready to publish the revision, and it will be in print soon. The first edition was published in 2014. I also adjusted the formatting to make the book an easier read, which means that though there are fewer words, there are more pages. There is also a new cover, though the photo is the same one that appeared on the original: the hands of a dear friend and exceptional pianist, Scott Besser.

 Readers of the first edition had praise for the book; they found it worth the read and the romance moved them. Music is Eli’s and Krissy’s life, and there are many passages about music throughout the book …always written from the viewpoint of the performer and/or the listener. How music affects us is what makes it vital to life. Recently I learned of this quote from another great composer, Gabriel Fauré: “To me – music exists to elevate us as far as possible above everyday life.” Listening and performing great music and allowing it to fill our being is an experience like no other. I hope I have managed to convey some sense of that in the book.

 One reader’s response:

Eli’s Heart is a song from the heart. It is more than a coming of age for two young people—Eli with a damaged heart, and Krissy, with the love to embrace it. It is a romantic tale rich with introspective detail between two people who met young and were not whole until they joined forces. It transcends the typical story of two people beating insurmountable odds. It is a story of living life to the fullest despite the odds. This provides a deep look into the world of music. Eli’s Heart is a musical delight, intertwining life and its drama with music.



 

Thursday, February 23, 2023

THE AUGUSTA MCKEE MYSTERIES AREN'T EXACTLY COZY

 The literary genre cozy mystery is defined in this way:

The cozy mystery usually takes place in a small town or village. The small size of the setting makes it believable that all the suspects know each other. The amateur sleuth is usually a very likeable person—most often a female of “a certain age”—who is able to get the community members to talk freely (i.e. gossip) about each other. There may be law enforcement involved, but it’s the amateur sleuth who solves the mystery. Also, there are no gory descriptions of violence or explicit sex scenes. And if the mysteries appear as a series, it’s important to have engaging and interesting characters that the reader cares about and wants to know more about the lives of these people.

 From the beginning, I’ve been breaking some of these rules, since Augusta is a somewhat prominent resident of the city of Cincinnati. And while Augusta has some sleuthing skills, which she expands over the course of the series, the mystery is actually solved by Cincinnati Homicide Detective Malcolm Mitchell—though with Augusta’s assistance in various ways. Not the least of which is the romantic interest which appears quickly after a somewhat confrontational first meeting.

 Instead of community gossip, Augusta’s musical community is often involved in one way or another, since many of the victims (and sometimes the perpetrator) are also musicians. Unique to this series, I believe, is the inclusion of music in every book.

 Other elements we find in Augusta’s mysteries include social issues; for instance, organized crime is important to the plot in three of the books. International espionage pops up in one. My current w.i.p. (The Case of the Casanova Cantor) begins during the “long, hot summer” of 1967. The plot includes Augusta championing racial diversity in casting opera productions at the fictional school, The Conservatory. The KKK comes into the picture.

While Augusta and Malcolm are wild about each other, I close the door and turn off the lights when things begin to get heated. And I’ve managed to sidestep gory details about the murder victims, other than some clinical observations by the coroner—who also happens to be a musician. A friend of Augusta’s, he plays the organ sometimes at a church where she sometimes is a guest soloist.

 From comments I’ve received, I believe the people who most enjoy the series have become good friends with my protagonists. For me, that is one of the most enjoyable experiences in writing these books. To learn new things about my characters and share them with the readers.

 The first book takes place in the spring of 1963, and about six months pass between the events in each subsequent book, and the same length of time between publication. There has been a bit of a hiatus in the series following book eight, The Case of the Bogus Beatle, set in the late summer of 1966. 1967 was a turbulent year in this country, and I hesitated to move into that time period. But since these books are more mystery than cozy, I decided to forge ahead, and the result will be in readers’ hands sometime this coming spring.

 Here's the Prologue:

 The “long, hot summer” of racial unrest in the United States during the summer of 1967 exploded in Cincinnati’s Avondale neighborhood on the evening of June 12. Tension had been building in the city over several years. and it came to a head after the arrest and conviction of a Black man, Posteal Laskey, for several brutal murders. Many felt Laskey had been railroaded, and following a tense but peaceful protest meeting a rock was thrown, smashing through a window.

Chaos quickly ensued. Avondale was a changing neighborhood, where for many years a majority of its residents had been members of the Jewish community. At the majestic Rockdale Temple, a showcase of Reform Judaism in the city, confirmation rehearsal had been completed. The young people had just begun to exit the building and found themselves caught up in the disturbance.

Eugene Geller, Cantor for the Temple, along with several other adults—and with no little difficulty—managed to get the young people to safety. Once assured his charges were out of harm’s way, Gene attempted to return to the Temple to pick up his car.

By then, violent street fighting ensued. Noise, objects, and smoke filled the air as members of the Cincinnati Police Department squared off against the rioters.

Gene did his best to avoid being caught up in the fray. In the confusion of the melee, he kept in the shadows, dashing toward a corner, rounding a building…and disappearing without a trace.


Rockdale Temple, c. 1967

All of the "Augusta McKee Mysteries" can be found on Amazon
https://www.amazon.com/gp/product/B07KBCWS24?ref_=dbs_p_mng_rwt_ser_shvlr&storeType=ebooks

Saturday, February 18, 2023

TWENTY-FIRST CENTURY SCHEHERAZADE?

In the story of Scheherazade, the monarch Shahryar, on learning of his first wife’s infidelity, had her put to death. He then vowed to marry a new woman each day and have her put to death the following day before she could be unfaithful to him. At least, that’s the story as I understand it. Needless to say, he eventually ran out of eligible women to marry, and the brave Scheherazade, who was a reader (love that part) and had collected many stories, offered to marry her king. On her wedding night, she told Shahryar a story but didn’t finish it as the sun rose. So he kept her alive to hear the end of the story.

She completed that story but began a new one which once again she didn’t finish. She did this for a thousand and one nights, during which time the monarch fell in love with her, and when she finally ran out of tales, he didn’t want to lose her.

I first heard about this when a very young girl by listening to Rimsky-Korsakov’s orchestral suite based on this story, so it’s no wonder that literature and music were firmly joined in my appreciation for both art forms.

And as I weave my current story, The Case of the Casanova Cantor, book nine in the Augusta McKee Mysteries … and my seventeenth book overall…I begin to feel like a modern-day Scheherazade. But I’m not answering to a despot in order to save my life. I’m finding a way to fill my remaining days, however many may be left to me, with two things that bring me joy…music and writing. At eighty-five, who knows how much longer I may be around to create new tales?

Since I began writing on May 6, 2013, this coming May I will complete three thousand, six hundred and fifty-two days (two Leap Years in that period) of weaving my tales. (Take that, Scheherazade!) Admittedly, I don’t sit at my computer to put words on paper (so to speak) every day, but they’re brewing in my head constantly. I never dreamed when writing my first book, How I Grew Up, that ten years later I’d still be at it.

Since I live with an elderly cat (Josey is fifteen) who spends most of her time sleeping, my distractions are primarily teaching people how to use their voices correctly so they can sing all their lives. I’m grateful I can continue to do this, and equally grateful to be in touch with several former students who share their activities with me.

How fortunate am I, in this turbulent time in both our country and the world, to be able to escape into my own world, meet wonderful characters, tell their stories, and share our music in my stories.

All my tales are available in both Kindle ebooks and print editions on Amazon. Take a journey through them and perhaps you’ll find something you will want to read!

https://www.amazon.com/stores/Susan-Moore-Jordan/author/B00IBZ731U?ref=ap_rdr&store_ref=ap_rdr&isDramIntegrated=true&shoppingPortalEnabled=true


Photo by Katy Burton, Pocono Cinema