Friday, February 15, 2019

The Men We Love



One of the perks of being a writer is spending time with other people whose minds “work” the same as ours do. Our Lady Writers’ group decided recently to share our thoughts about the men in our lives. Not our husbands, our brothers, or our sons, but the other men in our lives: the characters we write. Each of us picked a favorite, and it was no easy task. We’ve all written multiple novels and have been a part of many characters’ lives. But there are always standouts, those characters you come to love above all others. Here are ours.

The Two Men in My Make-Believe Life
Sahar Abdulaziz
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I’ve written quite a few male characters to date. Some have been devious, sneaky… sociopathic… evil, and, well, frankly, off-the-wall-nuts. On the other hand, I have also written brave, loving, considerate, loyal, charming male characters that can make one’s heart throb and soul ache. However, if I’m being totally honest, my most favorite male characters of all time have got to be Melvin Vine, from my book, The Gatekeeper’s Notebook [2019 release] and Irwin Abernathy from my novel, Unlikely Friends, [Feb/2019 release]. In-love doesn’t nearly come close to describing how I feel about these two.
Melvin is a man on the spectrum whose artistic talent is beyond genius. He is awe-inspiring, kind, a steadfast and loyal friend with a heart that knows no evil. Despite the curveball’s life has thrown him and the cruel people he’s had to endure, he’s never stopped being the compassionate and insightful man more people need to become.
And then there’s Irwin Abernathy, my grouchy, cranky librarian who would rather be knee-deep in a good book than surrounded by people… any people. No peopling. Irwin is what I would describe as a social introvert. A curmudgeon. He finds humans an unnecessary distraction. However, here’s the thing about Irwin than I find so appealing. He’s authentic. A man of his word. What you see is what you get. He doesn’t superimpose judgment, but when faced with hardship, he stands true and loyal, refusing to back down. He’s the guy who will move mountains to do the right thing [albeit grumbling under his breath the entire time].
Despite Irwin’s grumpy demeanor, and Melvin’s over-trusting persona, they are the kind of friends that everyone needs, but not many deserve.
About Sahar
Author of The Broken Half, As One Door Closes, Secrets That Find Us, But You LOOK Just Fine, Tight Rope, Expendable, as well as the upcoming novel, Unlikely Friends, Abdulaziz again demonstrates that those who have suffered abuse are not victims, but survivors.

The Leading Man in The King's Jewel Series
Belinda M Gordon

The King's Jewel Series is full of interesting male characters, both human and fae. But to select one to tell his story makes for an obvious choice. Of course, I'm talking about the saga's leading man, Alexander Mannus.
Alexander (Xander) has been through a lot in his life.
His mother disappeared when he was 7 years old leaving him and his brokenhearted father with nothing but unanswered questions. In her absence, Alexander obsessed over the unusual gemstone she had left behind. Studying geology became his passion.
Alexander became an officer in the US Marines, respected by his men for his fierce might-for-right attitude and his odd sixth sense. An IED abruptly put an end to his military career and left his right arm and hand nearly useless.
While recuperating at Walter Reed Medical Center, Alexander married. A year later his young wife died in a car accident, leaving him to raise his infant daughter, Sophia, alone. He became slow to trust and protective of his loved ones—ever fearful of losing them.
He spent years wandering the globe with his daughter and his best friend mining gemstones, yet he never found any that matched his mother's. Until one day he received a letter from an elderly woman in the Pocono Mountains....
And here Tressa's Treasures begins.
About Belinda
Belinda M Gordon was born and raised in Pennsylvania and currently lives in the Pocono Mountains wonderfully supportive husband and a crazy dog named Max. She is of Irish heritage, which is how she became interested in Celtic Mythology. She used the Celtic Mythology, specifically of Ireland, as the starting point of her Romance/Fantasy series, The King's Jewel.
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Becoming
Kelly Jensen

Most of my leads are male, so choosing just one to highlight has been a challenge. I’ve enjoyed writing all of my guys, from creating their backstory to watching them grow on the page. Learning from them as they face challenges, crying as their hearts break, sighing with deep contentment as they find a happy ever after—with a partner, but also with themselves.
In the end, I decided to write about Max from Block and Strike. Max is one of my youngest leads at only twenty-two, but his growth on the page far outstrips anyone else I’ve written. I think I fell in love with Max when, during a critical scene in the book, he didn’t react the way I’d expected him to. Instead of running from a certain conflict (as outlined), he turned around and stood his ground.
As a writer, this was a pretty pivotal moment. I hadn’t had a character do this before. Max’s love interest, Jake, had proved a little ornery, but was mostly following my outline (except for nixing my entire first chapter and telling me where I should start the book). But Max had been following the program, and it was about then that it clicked for me that I was writing something more than a simple romance—I was writing the story of Max’s becoming. Over the course of the novel, he would grow and change into the man he wanted to be and it was kind of beautiful. So I let him stand his ground in that scene. I watched with pride as he conquered the rest of the story, not only allowing himself to trust and fall in love, but to become strong and self-reliant.
From Max I learned that all of my characters have lives of their own and that if I listen to them, they’ll tell me their stories. All I have to do is write them. Since then, I’ve fallen in love with every character I write, because I always remember how Max taught me to craft a better novel.
About Kelly
Kelly is the author of eleven novels–including the Chaos Station series, co-written with Jenn Burke–and several novellas and short stories. Some of what she writes is speculative in nature, but mostly it’s just about a guy losing his socks and/or burning dinner. Because life isn’t all conquering aliens and mountain peaks. Sometimes finding a happy ever after is all the adventure we need.


My Favorite Male Characters
Susan Moore Jordan

This was really a no-brainer: my favorite male characters are Andrew and Jacob Cameron, brothers I followed through two books, Memories of Jake and Man with No Yesterdays. The books cover a period of many years, from 1954 to 1992. From a traumatic childhood experience to high school and college, and then into the Vietnam War and its aftermath. One or both of them experienced every phase of the Vietnam War, from the Gulf of Tonkin Resolution to the fall of Saigon. And beyond the war, Andrew visited the Wall. Jake spent time with Vietnam vets who couldn’t get their minds back into being home.
Yet throughout all this, they strove to find a way to lead happy and productive lives. The love between them was stronger than time and space, and until they were together, the walls between them obliterated, that happiness couldn’t be complete. Andrew and Jake took me on a difficult, sometimes painful, often uplifting journey. The art and music in their lives became a lifeline for each of them in different ways. Jake, the adventurer, followed a path that became a physical odyssey as well as an emotional one, and his new-found love of music eventually brought him happiness. Andrew, the homebody, used his talent as a gifted painter to conquer the trauma of his war experience and to connect more completely with the people he loved most.
Andrew and Jake Cameron. Each of them walked through fire and emerged renewed.
About Susan
Jordan attended the College-Conservatory of Music in Cincinnati and moved to the Pocono Mountains in Pennsylvania in 1971 with her late husband and three young children, where she established a private voice studio and directed local community and high school musical theater productions. Since 2013 she has been writing novels (nine in print to date), combining her experiences of tragedy to triumph and her love of music, including “companion” novels, Memories of Jake and Man with No Yesterdays, released in March and November of 2017.

Saturday, February 2, 2019

THE TENOR AND THE CRITIC


This is a true story.

Tenors can be notorious for their ego and temperament, and this particular tenor –Michele Molese—gave in to a public demonstration of both during a performance in 1974 at the New York City Opera, and I happened to have been there.

Harold Schonberg was music critic for the Times for a lot of years and was well known for his sometimes acerbic critiques of not only opera singers but apparently any musician he felt was “showboating,” including Leonard Bernstein. Schonberg’s long and distinguished career included a Pulitzer Prize.

One of Schonberg’s critiques of Molese’s singing included a comment to the effect that the tenor sometimes “squeezed” his high notes. Molese apparently didn’t take it too well, but then, tenors are notoriously sensitive about their high notes. Understandably so … some opera goers figure no matter how beautifully the tenor sings, if his high notes aren’t sheer perfection, he hasn’t done his job. Pity the poor tenor!

Here’s where the fun began. Molese was singing Verdi’s Un Ballo in Maschera (A Masked Ball). The tenor’s big third act aria includes a high C. Mr. Molese sang it well, and the audience (which obviously included many of his ardent supporters) gave him prolonged and vigorous applause. After which Mr. Molese complete broke character and tradition, stepped to the front of the stage and announced in English: “The pinched high C was for Mr. Schonberg.”

Well, the audience erupted. Loud booing on the one hand, applause and “bravo!” on the other. Yes, I’d say the audience was of two minds about what had just happened. I was dumbfounded and sat with my mouth open, attempting to process this scene. I’d read about stuff like this happening in Europe. This was New York, for heaven’s sake. Eventually, the audience quieted and the performance continued.

But that’s not the end of the story. As the singers took their solo bows after the completion of the performance, Mr. Molese’s appearance created a huge stir. More boos, more “bravos” – and then something happened that was right out of a movie. What appeared to be a Molese detractor ran to the front of the stage, shouting something (I’m guessing obscenities, but because there was so much noise it was impossible to hear from my seat in the balcony.). By this time the agitated audience had begun to file out of the house and the aisles were clogged.

A Molese fan decided he had to silence the guy who continued to carry on in front of the stage, and he jumped up onto the back of a seat and, with amazing agility, actually ran to the front using the backs of the seats. When he reached the offender, punches were thrown and then he went for the guy’s throat. Eventually the two men were separated.

Mr. Molese’s obituary indicates the NYCO fired him after the incident, but after a period of time he was rehired and continued to sing with the company until 1980. Good tenors aren’t easy to come by.

True story. Who says opera is boring??

(I included this story, changing the names to protect the innocent, in my book Eli’s Heart.)


Links to all my books can be found on my website
www.susanmoorejordan.com